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not everybody made the list this year, Michael Fassbender

You know, this list.

Mr. Fassbender has been getting raves for his performance in Shame. I saw it tonight fully expecting add him to my list. But, it turns out, his performance was…not great. There were certainly things to admire about it. He knows how to exploit his personal vulnerability to seduce people, and that’s not nothing. But there were a lot of holes. Consider the moment after (not a spoiler!) his boss gets off the video phone call with his son. This is a climactic moment in the film. Notice Fassbender’s physicality in this moment. It’s awkward and stiff, and not because the moment is awkward and stiff. He has no idea, as an actor, what to do with his body.

And that’s the thing about Fassbender: when he does act, it’s pretty much completely from the neck up. If he does become viscerally activated, it’s in a tight close-up when he knows no one is looking at his body, and he relaxes.

Consider the “big” moment near the end of the movie in the rain. He tries really hard, but that’s all we get. We are not there with him, experiencing what he is experiencing. We are on the outside looking in, because he isn’t really in it himself. He’s supposed to be convulsing, but he isn’t really convulsing, so it doesn’t work.

Also, he’s not that good at dialogue. There is a long scene in a restaurant, when he’s on a date, and his partner in that scene acts circles around him. She’s going on the list.

Mr. Fassbender deserves props for the difficult, painful situations he explores in the movie, and for the moments when he does pull it off. He’s talented. But he needs to read Uta Hagen’s chapter on Animation in A Challenge for the Actor. And fire his acting coach.

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2018-02-26T21:49:30+00:00