House of Cards writer Beau Willimon on the centrality of the underlying need of the character
In this podcast episode of the BAFTA’s Screenwriters’ Lecture Series, screenwriter Beau Willimon of the series House of Cards talks about the distinction between plot goals and the character’s fundamental need, which is a central distinction in class at Andrew Wood. His discussion starts at about 58:30, in response of to a questions posed by the audience.
From the transcript:
The one thing I always go to, and I mentioned it before is, what does the character need more than anything in the world? Because I believe characters’ behaviour, that’s it. You can talk to death what they’re thinking about, what their psychology is, what their motivations are, but ultimately all the character is is what they do, because that’s all we see. And if you know what they need, and they don’t have to know what they need necessarily, but if you know what they need then all their behaviour will be dictated by that. And then their needs will conflict with other people’s needs, and that’s where you get the conflict of drama. And the honesty of that conflict is completely determined by the brutal honesty you have about these characters’ needs. And these needs tend to be things, they’re not plot driven. It’s not like this person needs to get a new job, that’s plot. A need is, this person needs respect, this person needs love, this person needs validation, this person needs warmth. And all of the sort of tertiary needs that derive from that usually go back to that same core need, and I guess that’s as much as I can say about it.
H/T Jared Canfield