Acting Class Los Angeles: Andrew Wood Acting Studio


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Malcolm Jamal-Warner on memorizing lines

some rehearsal techniques

Michael Fassbender: ¨I want to be well-prepared so I have the ability to have freedom¨

on inner monologue

the trellis of acting technique

“a life-changing understanding of stimuli and the path”

What Are You Listening FOR?

on personalization

the only acting book you’ll ever need

Judi Dench slays a Shakespeare sonnet

AWAS alum in Oppenheimer

on staying fresh

Jeremy Strong on preparation

what is an acting class really

“living the part”

Jake Lacy on how ‘The White Lotus’ reminded him that ‘the funniest thing is the truest thing’

the gaping hole

rami malek on playing freddie mercury

even movie stars have to deal with anxiety

Super Bowl MVP Nick Foles on the importance of failure

free things you can do for your acting

on acting in comedy, according to Michael McKean

an invitation

putting points on the board

the scene partner experience

Should I Stay or Should I Go?, or, acting an inner conflict

the visceral difference

the fun part

advice from Phillip Seymour Hoffman

a day at the museum

the camera and the gut

drawing the bow

the things you can learn from clickbait

House of Cards writer Beau Willimon on the centrality of the underlying need of the character

a casting director on what to look for from an acting class, and what NOT to look for

on not judging the character, Tom Hiddleston as Loki edition

on playing to win

more on the trouble with meisner

Morris Chestnut: “I always try to get better. I still see acting coaches.”

circumstances, underlying objective, and Donald Trump

“Everyone wants to eat, but no one wants to hunt”

FAQ: Do you teach audition technique?

the high school drama teacher in T.J. Miller’s life

one of the most important things about being successful, according to Michael Jackson

Brian Eno: beautiful things grow out of sh*t

not you as the character, but the character as you